Blogging Nick Piggott

Nick Piggott’s blog about the intersection between new media and radio

Google exits radio – is that good or bad? 23/02/2009

Filed under: radio, technology — Nick Piggott @ 23:09

What's Google Doing With Radio? (cc) James Cridland @ flickr

Google’s exit from the radio arena this week wasn’t necessarily a huge surprise. It was a bold move to try and port their successful advertising business from the Internet to radio, and to do so without primary control over the inventory they were selling and the environment they were selling into. But it didn’t seem to be getting the prominence in the marketplace to make it successful.

Google created a relatively rich technology ecosystem in order to support the on-line trading of  radio airtime. They acquired dMarc, and set about re-branding and reworking that company’s playout system, to relaunch it as Google Automation, with integral support for Google’s APIs for advert insertion. They worked with the vendors of other major playout systems to extend the number of playout products supporting Google ad insertion. They created a pretty good, simple, on-line interface to allow people to book airtime campaigns, and monitor the performance of them. And the Google Creative Marketplace allowed advertisers to find creatives to make their radio adverts.

There are some things that I don’t think we’ll really miss. I was really disappointed with the Google Automation product, which I didn’t think was worthy of having the Google brand applied to it. When I think of Google, I think of innovative UI design, clever APIs, and rich-meta data. Google Automation didn’t live up to those expectations, and I think there are much more capable and exciting playout products in the market.

Google tried to sell radio advertising as a commodity; buyers didn’t know what stations their ads were going to run on, and they only had vague controls over formats, demographics and geographic area. That Google was unable to commoditise radio is probably good news. It means that brand values, production values and market prominence are still important, and that advertisers want to be heard in the right environments.

But there are some things that I hope radio can hold onto after Google has left. The principle of on-line trading of airtime is really interesting, and could mark a change in the way that radio is sold, in the same way that airline shifted their business from selling through travel agents to selling through websites. The cost of processing those orders and transactions could fall, which means more money going to programme making, and maybe even more money going to make better radio adverts. It might even open up radio to new advertisers, particularly in the small non-metro markets that find life particularly hard.

I thought the Creative Marketplace was a very cool idea. I wonder if it will live on in another guise? I like the idea of many individual, freelancing creatives being able to connect with so many prospective customers – a trading floor for creativity. Great idea, and a shame for it to get lost.

The technology behind the project was good, as you’d expect from Google. Radio airtime scheduling is still somewhat archaic, often involving the nightly transfer of flat text files, and it’s difficult to really deliver on radio’s ability to be immediate. Google created a set of APIs to schedule and insert adverts in near real-time, and get the reconciliation back almost as quickly. Ad breaks were filled just minutes before they were played out, which is the way it should be. We should keep that as the benchmark for airtime scheduling, giving us an almost unique position in mass-media.

Google have said that, whilst they’re withdrawing from radio, they will keep this technology and develop it for personalised advert insertion in on-line streaming. I’m not sure that will give them any more success. If the radio industry is smart, it will create formats which will deliver targeted demographics with low wastage, meaning that the efficiency gap between broadcast advertising and personalised advertising will be fairly narrow, reducing the financial incentive for advertisers to get into the altogether smaller, more complex and more opaque world of streaming advert insertion. (Let’s see how Spotify does with that one).

One thing I was surprised about. Google did some clever technology, but didn’t really introduce any innovation into radio advertising. They didn’t seem to offer a service that encompassed advertising on-air and on-line or on the radio station’s website, something that is more routine in radio companies own sales forces. Why didn’t Google see the opportunity for synchronising visuals, audio and interactivity and offer radio stations a streaming “tuner” that did all that for them? That kind of differentiation might have given them the edge they needed.

Maybe it’s unrealistic to expect Google to have a vision for innovating with radio advertising. That responsibility seems to rest with us.

Photo: What’s Google Doing With Radio by James Cridland @ flickramusingly taken at NAB in 2006 in Rome, IIRC.


Mis-engaging with social networks 11/02/2009

Filed under: aviation, real life — Nick Piggott @ 23:23

BD Embraer 145 being de-iced at MAN

As you might expect, there are a few places on the Interwebs where people who fly now and then meet up to discuss the important things in life; destinations; routes; fuel surcharges, and how to maintain status with as few flights as possible.

But it’s interesting to see how the airlines and airports approach engagement with these communities of informed, eloquent, often high-spending and influential people.

Some airlines have created official representation on the forums. Often it’s someone with a passion for the web, who is pretty connected in their own life and works in or around the customer facing bits of the company. They participate in the community like anyone else, are subject to the same rules and moderation, but make it clear that they’re representing the airline/airport.

My experience is that these airlines are brilliantly super-serving their most influential customers, and also helping their own companies. They can see gripes arise, and often offer solutions or answers within hours, before pens have gone to complaint letters and grouses have spread around. Some of them will help people out with specific problems, and I can’t tell you how valuable I’ve found that personal attention when the system has gone wrong. (Incidentally, I always send those airlines a hardcopy letter to commend their online rep, and the airline’s commitment to engaging with the on-line community).

But the airline benefits from to it too. Now and then, someone might spot a loophole in the rules of a fare or routing, which allows people to accumulate vast numbers of miles, or fly on ridiculous routes, for tiny amounts of money. Those loopholes get quietly closed, and whilst there is sometimes a little “oh, don’t talk about that here, they’ll close the loophole”, generally it’s accepted that the airline rep is only doing their job by bringing it to the airline’s attention.

Some airlines/airports have unofficial presence. That’s where someone in the airline/airport is probably acting unofficially, and so has to stay very guarded in what they say. It’s nonetheless very valuable for them to watch what’s happening, and occasionally intervene with a salient point. The regular contributors know who they are, and the lurkers rarely come out from under cover.

But this week, one of the airlines is in the process of getting it spectacularly wrong. I’m not going to name the airline, but they’re a leading global brand and they ought to be smarter than this. For a start, the contributor has as his handle the name of the airline, correctly spelt and punctuated. He’s assured people he’s not connected with the airline, but then occasionally refers to information that would be hard to source from anywhere else. But what’s really annoyed people is that he’s not authentic. He’s always talking up the airline, saying how great the promotional fares are (even when they’re stinkers), how great the on-board experience is, and how well they compare against other airlines. (He seems to fly a remarkable range of airlines).

He’s being rumbled as a stooge because he chipped some information into a thread that could only have authoritatively come from within the airline. He is getting pilloried (for which I feel sorry for him personally), and his airline is a facing a mixture of laughing for being so cack-handed in their engagement, and indignation that they “have sent a spy into the camp”. Their failure to be authentic and upfront with their presence is backfiring on them.

I can’t understand what they were thinking. Surely they must have understood what the outcome would eventually be? Maybe these are the companies who need consultants to advise them how to engage with the web? That’s pretty sad, when all the have to do is be real, honest and authentic.

Interestingly (and with that exception) no matter how irate, heated or insulting the conversations on-line become, rarely does anyone attack the airline/airport rep. Indeed, the community will often turn savagely on those who start having a go at the rep. And it’s interesting because that’s often not the case when radio gets discussed on-line; in those situations, often the poor radio person who sticks his head in the door will get it torn off and thrown back at them. It’s a shame, because it means that it’s that much harder for the people who are passionate about radio to have a decent engagement with those people who are making radio. I don’t know how to change that.

Footnote

Tangentially linked, I was playing around with SQ’s IFE on the A380 this week, and stumbled across their “The Chart of XXXX” albums. They’re pseudo-albums listing the 10 most-popular tracks, by UK Chart sales, of each year from 1960-2005. Whilst many of them are really very good, it became clear just how useless the charts had come by the 1990’s when around 5 out of the 10 tracks were novelty songs. When I reached 1989, the warning signs were set – 3 entries from Jive Bunny. That’s where radio programming trumps sales stats.